Technicolor_AB05_aged_tinted_fpe_r709: Reminiscent of hand tint photography, this look is aged and tinted.Technicolor_AB04_warm_d65_r709: Warm with a yellow bias and soft saturation, this look retains a pleasing skin tone.Technicolor_AB03_warm_fpe_r709 Warm with a yellow bias and soft saturation, this look retains a pleasing skin tone.Technicolor_AB02_cool_d65_r709: Cool with popped cyan and an overall lower saturation, this look retains skin tone.Technicolor_AB01_cool_fpe_r709: Cool with popped cyan and an overall lower saturation, this look retains skin tone with film emulation in the tone curve.The Technicolor Look Collection was produced by Technicolor’s amazing talent roster of esteemed colorists.įilmography highlights: The Princess Switch: Switched Again, The Truth About the Harry Quebert Affair, The Little Prince. The collaboration between Sony and Technicolor to develop custom looks for VENICE was a natural fit since the post house worked closely with Sony on the first production made on the camera in 2017 (The Dig, Dir: Joseph Kosinski, DP: Claudio Miranda, ASC). art files became possible in the November 2020 release of firmware V6.0 for VENICE. Specifically, for on-set monitoring, the Technicolor Look Collection for VENICE includes Sony’s new proprietary file format.
These files can be used for on-set monitoring, as well as be applied in post-production. The new Technicolor Look Collection for VENICE allows any VENICE user to add the artistry and experience of Technicolor colorists to their productions, through free downloads of LUT (Look Up Table) files. VENICE users now have arguably the best options through a new collaboration between Sony and Technicolor. With the advent of digital cinema cameras two decades ago, options for previewing creative looks on-set have steadily grown.
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